Here’s the latest on what’s happening with ads during the Super Bowl. All times EST.
Another Super Bowl, another head-scratching ad about beer and agriculture.
Last year, it was Bud Light insulting U.S. corn farmers when it made fun of rival brands that use corn syrup in their beers. One of those 2019 ads showed a medieval caravan schlepping a huge barrel of corn syrup to castles owned by Miller and Coors and then boasted that Bud Light doesn’t use the ingredient. That led to a rebuke from the National Corn Growers Association.
This year, it was Michelob’s turn to make its customers think about beer ingredients. “If every football fan picks up a 6-pack, we can change America’s organic farmland forever,” says the ad that starts out in a wheat field and pledges that each purchased six-pack of Michelob Ultra Gold will help convert six square feet into organic farmland.
Among the many skeptics who started doing the math after watching that ad was Julie Kenney, Iowa’s deputy secretary of agriculture.
“So for Michelob to transition a single acre of crop land to organic, they will have to sell 7260 six packs of beer? Glad beer companies continue to look out for us,” she said on Twitter, with her comments followed by a skeptical “thinking face” emoji.
She added: “It would take 2.5 million six packs of Michelob Ultra to convert the average Iowa farm to organic.”
Bud Light, for its part, took a break from beer agriculture messages this year to market its hard seltzer. And Michelob hedged its bets with a second, more conventional ad featuring Jimmy Fallon.
The Super Bowl was a chance for tech giants to spread some positive – though not necessarily happy — vibes about their brands after a year of bipartisan scrutiny from federal and state lawmakers over whether they are abusing their market power.
Google took a tearjerker approach with its ad about an elderly widower recalling memories of his wife using Google’s voice assistant and photo album features.
The ad was inspired by one Google employee’s grandfather and seemed to make an impression on game viewers – not to mention at least one of the lawmakers scrutinizing the tech giant.
“I watched the #SuperBowl Ad by Google and cried,” tweeted U.S. Rep. Ted Lieu, a California Democrat. “Didn’t even know an Ad could do that.”
It was a somewhat risky approach for Google amid heightened concern over consumer privacy. Despite its poignancy, it depended on viewers not thinking much, or caring, about how Google would be selling ads off what the narrator was searching for on the web.
“Google will remember you after you and all of your family and friends are dead,” tweeted actor Joel Heyman.
Just like robots last year, space was a theme adopted by several advertisers.
Walmart showed characters from science fiction movies – Flash Gordon and Buzz Lightyear from “Toy Story,” Alex Winter of Bill & Ted’s Excellent Adventure, aliens from “Mars Attacks” and “Arrival,” the starship Enterprise and R2D2 and C3P0 from “Star Wars” – to promote the company’s store pick-up feature.
In Olay’s ad, Katie Couric asked if people are still asking “Is there enough Space for women?” Meanwhile, actresses Busy Philipps and Lilly Singh take a trip into space with actual astronaut Nicole Stott.
And Sodastream had astronauts finding water on Mars, until one expedition member uses it to make seltzer.
Why space? “Maybe because of all of the things going on on earth are bit much at the moment,” said Julia Neumann, executive creative director at ad agency TBWA(backslash)Chiat(backslash)Day in New York.
A tinge of weirdness crept into this year’s barrage of humor and celebrities.
Quicken Loans Rocket Mortgage had an unsettling ad that showed “Aquaman” Jason Momoa, known for his buff physique, saying home is a place where he can “be himself,” as he strips off his muscles and hair to reveal his “true” physique: skinny and bald. TurboTax tried to tie doing taxes into a CGI-enhanced dance of wobbling knees to a bouncy song, “All People Are Tax People.”
Snickers imagined a world where people sing on a hilltop (an homage to a famous “Hilltop” Coke ad) about digging a giant hole and putting a giant Snickers in it because the “world is out of sorts.”
And Pringle’s enlisted Adult Swim’s animated “Rick and Morty” duo with a meta ad in which the characters realize they’re stuck inside a Pringles commercial.
Mr Peanut is back. Are you surprised?
In what could become a case study in the perils of Super Bowl marketing stunts, Planters teased its Super Bowl ad nearly two weeks before the game, releasing a teaser for its Super Bowl ad that showed its Mr. Peanut mascot seemingly being killed.
The “death” of Mr. Peanut went viral on Twitter. But when Kobe Bryant was killed in a helicopter crash, the marketing stunt suddenly seemed insensitive, so Planters paused its pre-game advertising.
The actual Super Bowl ad was relatively inoffensive, with a baby Mr. Peanut appearing at the funeral, but the pregame stunt is likely what people will remember.
“What’s a Quibi?” Viewers might still be asking that after the company’s Super Bowl ad, one of the first of the game.
The ad shows a bank heist going awry because the getaway driver is occupied; he says he’ll “be there in a Quibi.” That’s a reference to the upcoming “snackable” video service, which plans to offer episodes of 10 minutes or less. The bank robbers stand around in front of the bank as sirens grow louder; one appears to start watching Quibi himself.
The service, due to launch in April, is heavy on big ideas and Hollywood muscle. But it’s a gamble, especially considering that several earlier efforts in mobile entertainment – most notably Verizon’s ill-fated Go90 service – fell flat.
It’s not clear that Quibi intended the ad to suggest that its service will be so absorbing that watching it can get you in trouble. But it did make clear to viewers how to pronounce the name of the service – it’s KWIH-bee.
Copyright © 2020 The Washington Times, LLC.
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